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Biratori Ainu oral literature 1969

Biratori Town Ainu oral-literature archive 平取町アイヌ口承文芸 (1969). 平取町アイヌ口承文芸[Biratori Town Ainu oral literature].

db.aynu.org/biratori-ainu-oral-literature primary-data hokkaido

29chapters citing
7citing sentences
34examples
0statements extracted
0claims with a stance

Chapters citing this source

Chapter topicCitations
The Permissive/Sociative Causative -yar4
The Oral-Literature Corpus and Spoken-Language Data2
The Oral-Literature Genre System and Its Grammatical Signatures2
Glossed Verse: A Yukar Heroic Epic and a Kamuy Yukar God-Song2
The o- Applicative2
The Perfective/Anterior Particle a (a, a…a, aan)2
Deontic Necessity and Obligation (kuni ne, kus ne)2
The Sakehe Refrain, Verse Meter, and the Structure of Sung Verse2
Parallelism, Couplets, and Word-Pair Doublets2
Narrative TAM and Evidential Patterning by Genre2
The Dialect Sample and the Corpus-Quantification Method1
A Glossed Inonno-itak (Ritual Prayer)1
Citation vs Combining Stem Shapes and Support Vowels1
The Word-Class Inventory and the Noun/Verb Bipartition1
Nominal Number: Transnumerality, -utar, and the Locus of Plurality1
Relational and Spatial (Locative) Nouns and Their Possessed Forms1
Postpositions, Local Case, Motion Events, Comitative, and Instrumental1
The Split-Intransitive (Active–Stative) Core1
Causee Marking, Ditransitive and Double Causatives1
Subject Incorporation and Possessor-Stranding1
Argument Realization: Affix Indexing and Free NP Order1
Tense, Aspect, Mood, and Modality: Overview1
Tenselessness and the Time-Reference System1
Epistemic Modality, Dubitative, Intentive, and Irrealis1
siri ne — the Direct-Perception / Situational Evidential1
Negative-Polarity Indefinites and the Scope of Negation1
Gendered Speech and Pragmatic Registers1
The Elevated/Poetic Register: Archaic Morphology and Formulaic Diction1
Honorific, Ritual, and Taboo Registers1

Examples cited from this source

oraun arpa=an ruwe ne.
and.then go=4.S track-POSS COP
‘And then (the protagonist) went — so it goes.’
usa mat-ikor usa tamasay
various woman-treasure various bead.necklace
‘women's treasures and bead-necklaces’
a=kor rus utar
4.A=have fur ASS
‘my furs’
a=kor rus utar
4.A=have fur ASS
‘(one's) furs’
atuy or un cip ani paye=an
sea place ALLAT boat INS go=4.S
‘going to the sea by boat’
atuy or un cip ani paye=an p ne
sea place ALLAT boat INS go=4.S NMLZ COP
‘(She) always went to the sea by boat.’
sinrit or ta arpa=an ka somo ki ruwe ne
ancestors place LOC go=4.S FOC NEG do INFR COP
‘I did not go to my ancestors.’
a=omarere akusu sonno ka oripak pe ne kusu
4.A=put.in-CAUS-CAUS CONJ really FOC be.polite NMLZ COP because
‘I had [her] put [it] away, and since she is truly a courteous person —’
tuyma no new ka a=korar ka korayniwkes
far even COMP also 4=marry.off also feel.cannot.do
‘I felt I couldn't have her married off far away.’
eun a=nuyar.
to 4.A=hear-CAUS
‘I had it heard / I reported (it) to [them].’
hokure a=macihi oripakno pirkano suke wa ipeyar.
come.on 4.A=poss.wife humbly well cook CONJ eat-CAUS
‘Quickly, my wife — cook properly and neatly, and feed [them].’
e=oarpa kuni p ne kusu taptap a=e=kar na
2SG.A=APPL-go PURP NMLZ COP CONJ like.this 4.A=2SG.O=do FIN
‘Since you are going, I shall do thus and so for you.’
kamuy or oarpa hine ora nea menoko a=kor wa
god place APPL-go CONJ CONJ DEM woman 4.A=have CONJ
‘He went to the place of the kamuy (heaven), and then took that (human) woman as his wife.’
tane sirkokunne an no iwak=an pe
now weather-APPL-dark exist ADV return=4.S NMLZ
‘when I returned, it was already getting dark’
eani anakne a=kor son e=ne ruwe ne
2sg TOP 4.A=have son 2SG.S=COP INFR COP
‘You are indeed my son.’
mokor=an aan ru-we ne akusu
sleep=4.S PRF.MIR track-POSS COP when
‘when it turned out that I had fallen asleep,’
arwen kamuy ne an=an nisa ruwe ne na
very.bad god COP exist=4.S PRF.REC INFR COP FIN
‘He has become a terribly bad god.’
oripak kamuy poho a=ne aan ru-we ne hine
noble deity child 4.A=COP PRF.MIR track-POSS COP CONJ
‘it turned out that I was the child of an honored deity, and …’
mokor=an aan ru-we ne akusu
sleep=4.S PRF.MIR track-POSS COP when
‘when it turned out that I had fallen asleep,’
wente kuni ramu kor an pe ne aan ru-we ne hine
devastate COMP think while exist NMLZ COP PRF.MIR track-POSS COP CONJ
‘— it turned out there was something thinking to cause devastation, and …’
kotan wente kus arki kus ne aan ru-we ne wa
village devastate PURP come.PL PURP COP PRF.MIR track-POSS COP CONJ
‘— it turned out that they had been coming to devastate the village, and …’
kotan wente kus arki kus ne aan ru-we ne wa
village ravage PURP come.PL PURP COP PRF.MIR track-POSS COP CONJ
‘and it had turned out that they were going to come to ravage the village,’
ineap kusun a=i=eoripak wa siri ki ya ka a=eramiskari
how.very CONJ 4.A=1SG.O=respect CONJ appearance-POSS do Q even 4.A=not.know
‘I was being respected to such an extent as I had never seen before.’
nep ka oar isam
what even completely not.exist
‘There is nothing at all.’
mak raymik hawe ne raymik=an ruwe ne a p oraun
how raymik way COP raymik=4.S REP COP CONJ thing after
‘However she performed the women's greeting (raymik), having done the greeting, and then …’
hum pakpak
sound pattering
‘hum-pakpak (the sakehe of the thunder-god)’
hancikiki sakehe ci=kar
(refrain) sake 1PL.EXCL.A=make
‘[HANCIKIKI] — we made sake’
sonko atpa a=pita kane
message beginning 4.A=untie CONJ
‘untie the beginning of the message’
sonko sarkes a=atte kane
message end 4.A=hang CONJ
‘hang up the end of the message’
ar retar kamuy a=tura wa ek=an a=rayke wa ek=an ruwe ne na
entirely be.white god 4.A=COMIT CONJ come.SG=4.S 4.A=kill CONJ come.SG=4.S track-POSS COP FIN
‘I brought the pure-white kamuy-bear back with me and killed it, I tell you.’
hinna ki kane too hosippa
hinna do CONJ away return.PL
‘Expressing thanks (saying hinna), they went home all the way.’
sekor kane hawean hawe as ruwe ne akusu ora
QUOT CONJ say voice-POSS exist track-POSS COP CONJ CONJ
‘… a voice said so, and then …’
aysirkamuy epirma hawe ne nankor ruwe ne
ghost teach voice-POSS COP probably track-POSS COP
‘… it was probably the ghosts (of your parents) who told you so.’
hancikiki sake-he ci=kar
refrain sake-POSS 1PL.EXCL.A=make
‘(hancikiki!) — [we] brewed sake.’

Sentences of the first edition citing this source

  1. The most extensively analysed set is the Biratori Town oral-literature archive , held by the National Ainu Museum (国立アイヌ民族博物館) and available online. no page The Oral-Literature Corpus and Spoken-Language Data
  2. The Biratori Town Ainu oral-literature archive, Saru-dialect oral literature held by the National Ainu Museum . no page The Dialect Sample and the Corpus-Quantification Method
  3. The same option appears in oral narrative, where a deity named in an eun phrase receives the message conveyed by nu-yar while the verb itself indexes no causee . no page The Permissive/Sociative Causative -yar
  4. Sakehe range from transparent onomatopoeia (the cuckoo-god's sakehe han kakkok kakkok imitates the bird's cry; the thunder-god's hum pakpak is the sound of rain or thunder, glossed by its narrator as humihiruy 'it's a loud sound' ) to completely opaque compounds such as the long sakehe recorded by : tunoyake renoyake kutunke kamuyke kamuy cikappo hum hum hum. no page The Oral-Literature Genre System and Its Grammatical Signatures
  5. The Biratori examples are from ; the three marlin-tuna variants and the cuckoo sakehe are cited via . no page The Oral-Literature Genre System and Its Grammatical Signatures
  6. The Biratori corpus preserves the narrator 貝澤とぅるしの (Kaizawa Turushino) explicitly labelling the phenomenon: after reciting the thunder-deity's refrain hum pakpak, she glosses it humihiruy だわ。sakehe. 'it's a loud sound — [that's] the sakehe' . no page Glossed Verse: A Yukar Heroic Epic and a Kamuy Yukar God-Song
  7. The primary documented prayer text accessible for grammatical analysis is the Monbetsu (Biratori) example attributed to 鍋澤モトゾウ (Motoanrek), cited and analysed by ; further attested prayer language appears in the Biratori oral-literature archives and in the ILCAA Ainu language materials through prosodic and formulaic phrases embedded in narrators' own metalinguistic commentary. no page A Glossed Inonno-itak (Ritual Prayer)