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Chiri Yukie 1923

Chiri Yukie 知里幸恵 (1923). アイヌ神謡集[A collection of Ainu divine epics [Ainu Shin'yōshū]]. Kyōdo Kenkyūsha 郷土研究社, Tokyo.

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1. The foundational document is , a collection of thirteen kamuy yukar (divine epics) compiled by Yukie Chiri (知里幸恵, 1903–1922) of Horobetsu and published the year of her death — the first book of Ainu texts compiled and published by an Ainu, written in Roman script. no page The Sociolinguistic Situation: Endangerment and Revitalization
2. Chiri Yukie (1903–1922) compiled the first published collection of Ainu kamuy yukar (divine epics) with Japanese translations , a text-publication project that established the model of romanized Ainu with facing-page translation and drew the oral-literary tradition into print for the first time. no page The History of Ainu Language Description and Previous Research
3. The earliest published Ainu-language oral-literature collection is — seventeen Iburi (Horobetsu) divine epics with Ainu text and Japanese translation, compiled by Chiri Yukie 知里幸惠 (1903–1922) in the final years of her life. no page The Oral-Literature Corpus and Spoken-Language Data
4. Native-speaker writing, from Chiri Yukie to the Ainu kana orthographies documented by Kirikae and Nakagawa , does not write ca cu ce with contracted kana (チャ チュ チェ) but with the straight syllabary forms. no page The Latin Phonemic Transcription
5. Chiri Yukie's アイヌ神謡集 , the collection of divine epics that became the model for later Ainu-authored writing, is likewise written in a Hepburn-style orthography, and Kirikae judges the romanization of both women to be a direct continuation of Batchelor's practice, nurtured by his publications and by the aunt–niece connection between them ‹consensus›. no page Historical Orthographies and the Batchelor Tradition
6. Chiri Yukie's 1923 collection of divine epics is an early instance of romanization by an Ainu speaker, made possible by her training at Batchelor's mission school in Hakodate, where she received instruction in English and the Latin alphabet (nukopoli, 2024–11–17). no page Orthographic Standardization and the Word-Division Problem
7. For the lexical domain of 'hero', the noun can stand alone as 'brave person / hero' in epic contexts, attested with modifiers such as kamuy rametok and sonno rametok; a further term cipapa appears in but is absent from other dictionaries and texts (gengojiro, aynu-corpora Discord 2024-02-13; ) ‹speculative›. no page The Oral-Literature Genre System and Its Grammatical Signatures
8. The Ainu Shin'yōshū () — Iburi (Horobetsu) kamuy yukar compiled and translated into Japanese by 知里幸惠 (Chiri Yukie, 1903–1922) — is the canonical first published Ainu-language oral-literature collection and remains a primary grammatical resource for Iburi kamuy yukar. no page The Oral-Literature Genre System and Its Grammatical Signatures
9. In Iburi (Horobetsu) kamuy yukar — the tradition documented in — the hero-narrator consistently uses the exclusive first-person plural forms ci= / =as as a singular narrator throughout each text . no page The Oral-Literature Genre System and Its Grammatical Signatures
10. One additional philological datum: the title-line AEKIRUSHI in Chiri Yukie's has been proposed to parse as a=e-kir-usi 'the place one has memory of' (, 0penke 2024-03-19, proposed, after 片山龍峯 2003) rather than deriving from ekiru 'turn back'. no page The Sakehe Refrain, Verse Meter, and the Structure of Sung Verse
11. The Iburi dialect tradition, canonically represented by Chiri Yukie's , uses instead the exclusive first-person plural ci= / =as as a singular hero-narrator marker, consistently throughout the collection ; . no page The Sakehe Refrain, Verse Meter, and the Structure of Sung Verse
12. The Iburi kamuy yukar collected by Chiri Yukie — , the first published Ainu-language oral-literature collection — uses a distinct convention: the hero-narrator employs the exclusive first-person plural ci=/=as consistently as a singular, throughout each text ; . no page The Elevated/Poetic Register: Archaic Morphology and Formulaic Diction
13. Iburi kamuy yukar — canonically the collection compiled by Chiri Yukie (Ainu Shin'yōshū, 1923, Horobetsu) — uses the exclusive first plural ci=/=as as the singular hero-narrator marker consistently throughout ; . no page Narrative TAM and Evidential Patterning by Genre
14. The canonical published collection is Chiri Yukie's アイヌ神謡集 (Ainu Shin'yōshū, 1923) , thirteen Horobetsu/Iburi kamuy yukar with parallel Japanese translation. no page Glossed Verse: A Yukar Heroic Epic and a Kamuy Yukar God-Song
15. In Iburi kamuy yukar — above all in Chiri Yukie's アイヌ神謡集 (Horobetsu, 1923) — the deity-narrator uses the exclusive first-plural ci= / =as consistently as a singular first person ; . no page Glossed Verse: A Yukar Heroic Epic and a Kamuy Yukar God-Song