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Kayano 1996

Kayano Shigeru 萱野茂 (1996). 萱野茂のアイヌ語辞典[Kayano's Ainu dictionary (Saru)]. Sanseidō 三省堂, Tokyo.

db.aynu.org/1996-kayano-kayanos-ainu-dictionary primary-data hokkaido

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1. and cover the Chitose and Saru dialects respectively. no page Written Sources: Grammars, Dictionaries, and the Philological Record
2. The frequency figures in this section are drawn from a syllable count over the headwords of three dictionaries of southern Hokkaido dialects: Tamura's Saru dictionary , Nakagawa's Chitose dictionary , and Kayano's Saru (Nibutani) dictionary . no page Syllable Structure, Phonotactics, and Word-Edge Constraints
3. Easkay is e-askay, the applicative e- on askay ‘be skilled’, and eaykap is e-aykap, the same prefix on aykap ‘be unskilful’ ; ; . s.v. easkay Negative Predicates of Ability and Cognition
4. Koyaykus and niwkes are likewise treated as unanalyzed units; koyaykus attaches as a whole after a verb, as in the dictionary forms mokor koyaykus ‘be unable to sleep’ and hunara koyaykus ‘be unable to find’ . s.v. koyaykus Negative Predicates of Ability and Cognition
5. provides a metalinguistic definition of yukar as a practice of imitation and transmission: "誰かが聞かせてくれた長い長い物語，それを真似て次に誰か に聞かせる，それをユカㇻと言う" ('the long story that someone told you, which you imitate and tell the next person — that is called yukar'). no page The Oral-Literature Genre System and Its Grammatical Signatures
6. Sakehe range from transparent onomatopoeia (the cuckoo-god's sakehe han kakkok kakkok imitates the bird's cry; the thunder-god's hum pakpak is the sound of rain or thunder, glossed by its narrator as humihiruy 'it's a loud sound' ) to completely opaque compounds such as the long sakehe recorded by : tunoyake renoyake kutunke kamuyke kamuy cikappo hum hum hum. no page The Oral-Literature Genre System and Its Grammatical Signatures
7. The sakehe tusunapanu precedes every narrative word-group, producing a strict alternation of refrain and narrative that generates the rhythmic frame of the performance (, reporting ; narrator 鍋沢ネブキ, Biratori): s.v. sakehe The Sakehe Refrain, Verse Meter, and the Structure of Sung Verse
8. Kayano's Saru dictionary preserves a long multi-word sakehe (tunoyake renoyake kutunke kamuyke kamuy cikappo hum hum hum) as one illustration of the form's capacity for extended, rhythmically organized strings . s.v. sakehe The Sakehe Refrain, Verse Meter, and the Structure of Sung Verse
9. The corpus records both tampaku-op 'tobacco pouch' and toy-ta-tampaku 'home-grown tobacco' . no page Japanese Loanwords and Their Phonological Adaptation
10. The name itself encodes performance: Kayano glosses it as 'to imitate / mimic' — the narrator heard the story (perhaps in a dream) and now re-tells it . s.v. yukar Glossed Verse: A Yukar Heroic Epic and a Kamuy Yukar God-Song
11. is silent on the etymology of ; in attested prose, narrators embed both terms when describing a ceremony. s.v. kamuynomi A Glossed Inonno-itak (Ritual Prayer)