Knowledge base · source
Nakagawa 2001
Nakagawa Hiroshi 中川裕 (2001). アイヌ文化——口承文芸[Ainu culture: oral literature].
background hokkaido
3chapters citing
4citing sentences
0examples
0statements extracted
0claims with a stance
Chapters citing this source
| Chapter topic | Citations |
|---|---|
| The Oral-Literature Genre System and Its Grammatical Signatures | 2 |
| Honorific, Ritual, and Taboo Registers | 1 |
| Narrative TAM and Evidential Patterning by Genre | 1 |
Sentences of the first edition citing this source
- proposed that sakehe originally served as an index of the protagonist. no page The Oral-Literature Genre System and Its Grammatical Signatures
- established the four-function classification adopted by and followed here. no page The Oral-Literature Genre System and Its Grammatical Signatures
- (via ) argues that elegant and everyday Ainu occupy positions on a continuum keyed to verse-vs-prose and fixedness-vs-improvisation, and proposes that a classification by genre-type — yukar-specific phrases versus prayer-specific phrases — may be more analytically effective than the elegant/everyday dichotomy alone ‹contested›. no page Honorific, Ritual, and Taboo Registers
- Register is a continuum keyed to verse-vs-prose and improvisation-vs-fixedness, not a binary: Nakagawa argues that elegant and everyday mark stages on this cline, with prayer phrases and yukar phrases constituting sub-variants of the elegant pole rather than a unified "poetic register" distinct from prayer ‹contested›. 5 Narrative TAM and Evidential Patterning by Genre