Chapter 14Historical Orthographies and the Batchelor Tradition
The pre-phonemic Latin orthographies of Hokkaido Ainu — Batchelor's Hepburn-derived system and its lineage through Kindaichi, Kannari Matsu, and Chiri Yukie — their systematic correspondences with the modern standard, and how texts written in them are read and converted today.
14.1 The Hepburn-derived tradition
Before the phonemic romanization documented in Chapter 11 (The Latin Phonemic Transcription) took hold in the 1950s and 1960s, Hokkaido Ainu was written in Latin script mainly in orthographies derived from the Hepburn romanization of Japanese. The system that fixed this tradition in print is John Batchelor's. His An Ainu–English–Japanese Dictionary appeared in 1889 and went through a second (1905), third (1926), and fourth edition (1938) Batchelor (1905); Batchelor (1938); Nakagawa (2024: 90), and his Bible translations — above all the 1897 New Testament チコロ・ウタラパ (Chikoro utarapa), transmitted together with the Psalms and Jonah — constitute the largest body of connected Ainu text in this orthography Batchelor (1897); Refsing (1986: 18). Batchelor wrote ch for the affricate and sh for the palatalized sibilant, on the model of the Hepburn values for Japanese, and until phonemic transcription displaced it this style was the ordinary way of romanizing Ainu Nakagawa (2024: 53); Nakagawa (2006: 3); Kirikae (1997).
The tradition was transmitted to the Ainu writers whose texts anchor the modern corpus. Kannari Matsu, whose notebooks preserve a vast corpus of heroic epics, was a graduate of 愛隣学校, the mission school Batchelor founded in Hakodate, where she was taught English and the Latin alphabet; her correspondence with her sister was conducted entirely in romaji Nakagawa (2006: 24). Chiri Yukie's アイヌ神謡集 Chiri Yukie (1923), the collection of divine epics that became the model for later Ainu-authored writing, is likewise written in a Hepburn-style orthography, and Kirikae judges the romanization of both women to be a direct continuation of Batchelor's practice, nurtured by his publications and by the aunt–niece connection between them Kirikae (1997) ‹consensus›. On the academic side the same conventions passed to Kindaichi Kyōsuke and his students; Kubodera Itsuhiko retained the Hepburn style throughout his career Nakagawa (2006: 3); Kirikae (1997).
Batchelor was a missionary who learned the language for evangelical work, and his transcription reflects the ear and habits of an English speaker rather than an analysis of the sound system Refsing (1986: 18). Contemporary and later assessments diverge sharply. Chiri Mashiho's アイヌ語入門 devotes some fifteen pages to mistranslations, phantom words, and wrong forms in the dictionary and concludes that "it would be closer to the truth to say that it consists solely of flaws" Chiri (1956) (translation from Refsing (1986: 18–19)). Laufer had already written that Batchelor "almost neglected" the sound system and that his transcription was "no more than an attempt at adopting the English alphabet to the writing of Ainu" Laufer (1917: 198), quoted in Majewicz (2022: §5). Refsing's assessment is more measured: the dictionary and the grammar bound with it are too inaccurate to serve as a primary source, yet given the scarcity of early materials they retain value when used critically, the English glosses often being closer to the mark than the Japanese ones Refsing (1986: 18–19). Nakagawa notes that after Chiri's critique researchers stopped citing the dictionary openly, while judging it still highly usable for its period and coverage Nakagawa (2024: 90). In this grammar Batchelor's works are treated as philological witnesses: their forms are cited for what they attest about nineteenth-century usage, and every form is read through the correspondence rules of the next section. The place of these works in the source base is set out in Chapter 7 (Written Sources: Grammars, Dictionaries, and the Philological Record).
14.2 Systematic features of Batchelor's orthography
Batchelor's spellings deviate from the modern standard in recurrent, largely rule-governed ways. The table gathers the correspondences; the subsections below document each group from the published comparisons — Kirikae Kirikae (1997), Nakagawa's orthographic surveys Nakagawa (2006: 3–5); Nakagawa (2024: 53–54), and the Sakaguchi–Watanabe re-edition of Batchelor's 1924 Ainu Fireside Stories Sakaguchi & Watanabe (2019: 243–245) — and from the 1897 New Testament Batchelor (1897).
| Feature | Batchelor's practice | Modern standard | Example (Batchelor ~ modern) |
|---|---|---|---|
| Affricate /c/ | ch (Hepburn value) | c | chep ~ cep ‘fish’, chikap ~ cikap ‘bird’ |
| /s/ before i and in coda | sh | s | moshiri ~ mosir ‘land’, ash ~ as ‘stand’ |
| Allophonic voicing | b d g written alongside p t k | p t k only | tambe gusu ~ tanpe kusu, guru ~ kur ‘person’ |
| Echo vowels after codas, esp. -r | coda + copied vowel | bare coda consonant | koro ~ kor ‘have’, pirika ~ pirka ‘good’, mokoro ~ mokor ‘sleep’ |
| Coda glides /y w/ | i, u | y, w | ainu ~ aynu ‘person’, kamui ~ kamuy ‘spirit’, hau ~ haw ‘voice’ |
Spurious ei for /e/ | ei | e | chisei ~ cise ‘house’, heikachi ~ hekaci ‘boy’ |
| Fourth-person marking | fused into the verb, unsegmented | segmented a= / =an | ae ~ a=e, ingarʼan ~ inkar=an |
| 1st/2nd-person marking | separate words, capitalized sentence-initially | attached by = | Ku goro Michi ~ ku=kor mici 'my father' |
| Apostrophe as elision mark | ʼ before "vowel-less" affixes | not used | Ingarʼan, gurʼanak, moshirʼun |
| Postpositional groups | fused | spaced | otta ~ or ta, moshirʼotta ~ mosir or ta |
| Univerbated particles | split | solid | anak ne ~ anakne ‘topic particle’, son no ~ sonno ‘truly’ |
| Pitch accent | unmarked | unmarked in running text; acute in citation forms where relevant | — |
14.2.1 Digraphs, voiced letters, and spurious vowels
The digraphs ch and sh continue the Hepburn values for Japanese and carry no contrast in Ainu, which has a single affricate and a single sibilant phoneme; Nakagawa's correspondence table for the Hepburn style pairs shik with sik ‘eye’ and achapo with acapo ‘uncle’ Nakagawa (2024: 53–54); Kirikae (1997). Batchelor, Kindaichi, and Chiri Yukie all also wrote the voiced letters b d g beside p t k, although voicing is not contrastive in Ainu Nakagawa (2024: 54). In Batchelor's hands the voiced spellings are unstable: the dictionary enters both arage and arake as headwords for what is one word, modern arke ‘one of a pair’ Kirikae (1997). The Fireside Stories texts write invariant tambe gusu for tanpe kusu 'therefore' and show the spurious ei spellings chisei for cise ‘house’ and heikachi for hekaci ‘boy’ Sakaguchi & Watanabe (2019: 244).
The second example compresses most of the segmental rules into one clause: voiced b and g for /p/ and /k/, the digraph sh, an echo vowel on moshiri, and i for the coda glide of okai ~ okay ‘exist (plural)’. The coda-glide rule — syllable-final i and u where the modern standard writes y and w — is likewise regular: kamui ~ kamuy ‘spirit’, kaukau ~ kawkaw ‘hail’ Nakagawa (2024: 53–54).
14.2.2 Echo vowels and syllable-final r
The most consequential deviation is the paragogic vowel written after closed syllables, above all after /r/: Batchelor's dictionary has koro, kara, mokoro where the modern standard writes kor ‘have’, kar ‘make’, mokor ‘sleep’ Kirikae (1997); Nakagawa (2024: 54). Phonetically the flap [ɾ] releases into a short vocalic offglide echoing the preceding vowel, and Kirikae locates the error in taking that offglide for an intended vowel Kirikae (1997). Refsing adds a filter on the transcriber's side: all speakers of the period were bilingual, Japanese phonotactics supply no final consonants, and every earlier record had been written in kana, so recorded final vowels — especially after r — reflect Japanese influence on the transcription as much as on the speech Refsing (1986: 55–56).
The recognition that -r-final syllables contrast with -rV sequences is credited by Nakagawa to Chiri Yukie: her 神謡集 spellings distinguish nukar and pirka from Batchelor's nukara and pirika, and Kindaichi changed his own practice under her influence from the 1923 アイヌ聖典 onward Nakagawa (2024: 54) ‹consensus›. Kindaichi's testimony, quoted by Kirikae, is that Yukie owned the second edition of Batchelor's dictionary and had gone through it erasing the final vowels of the koro-type entries one by one; Kirikae traces today's arke-type spellings to her practice Kirikae (1997). Before the change, Kindaichi analysed the verb of inkar’an awa 'when I looked' as a lemma inkara whose final syllable lost its vowel before the person marker, and wrote an apostrophe as the elision mark — a notation that survives throughout Batchelor's own texts (next subsection) Kirikae (1997). The phonemic status of the coda is treated in Chapter 16 (The Consonant Inventory and Its Phonetic Realization).
14.2.3 Person marking and word division
Batchelor's orthography segments no person markers. The fourth-person prefix is written solid with the verb, so that a=e '4.A=eat' appears as ae and a=ye '4.A=say' as aye:
The first- and second-person markers, by contrast, are written as separate words and take
sentence-initial capitals like English pronouns: the New Testament has Ku goro Michi for ku=kor mici 'my Father' Batchelor (1897: John 20:17), and phrase-internal echi otta ku ek for eci=or ta ku=ek 'I came
to you' Batchelor (1897: 1 Cor. 2:1). Where a person marker follows an r-final stem, the apostrophe of the false-lemma analysis appears:
Batchelor's lemma for 'to look' was ingara, so the fourth-person form
is spelled Ingarʼan, with ʼ marking the "elided" vowel
of the lemma rather than any phonological event:
The same mark recurs in gurʼanak (kur anak), eramʼan-hi (a misparse of eraman ‘know’ as eram + an), and moshirʼun (mosir un) Batchelor (1897: Matt. 13:11; 1 Cor. 2:6). Word division is idiosyncratic in both directions. Postpositional groups are fused — otta for or ta, and with a preceding noun moshirʼotta for mosir or ta:
Univerbated particles are conversely split: anak ne for anakne ‘topic particle’ and son no for sonno ‘truly’ Sakaguchi & Watanabe (2019: 245–246). Hyphens join the nominalizing hi ‘place/time/thing’ to its verb (ene itak-hi for ene itak hi 'thus he spoke') Batchelor (1897: Matt. 2:13); Sakaguchi & Watanabe (2019: 245), without being applied consistently elsewhere. The principles that govern the modern segmentation are given in Chapter 15 (Orthographic Standardization and the Word-Division Problem).
14.2.4 Dialect mixture
A Batchelor text is not a dialectally uniform record. In the Fireside Stories the quotative appears as ari ‘thus (quotative)’ in the first tale but as sekor ‘thus (quotative)’ — the Saru–Ishikari form — in others, both occur within a single tale elsewhere in the collection, and six of the fifty tales are transpositions of Sakhalin material from Piłsudski Piłsudski (1912) into a nominally Hokkaido corpus; the lexical profile makes single authorship of the texts implausible, and one tale is attributed to a Shizunai writer Sakaguchi & Watanabe (2019: 243–244) ‹consensus›. Batchelor's own grammatical framework compounds the problem: he treated the person markers as pronouns, an analysis not corrected until Kindaichi Refsing (1986: 22–23). Forms cited from this corpus in the present grammar are therefore identified by source, never by dialect tag.
Two independent checks on Batchelor's material come from Simeon's 1967 fieldwork Simeon (1968: 2–4). His Horobetsu informant, Itaku Haru (b. c. 1883), had worked in Batchelor's household for eight years from age sixteen and identified one of the missionary's principal informants as a speaker of the Niikappu dialect — a rare direct datum on where Batchelor's forms came from, and consistent with the southern-Hokkaido character of his corpus. Simeon also ran an accuracy test: he translated Batchelor's English glosses into Japanese, elicited the Ainu from his own informants, and found the responses "either similar to or exactly the same as what Batchelor had transcribed", allowing for dialect differences Simeon (1968: 3). The transcriptions themselves are thus more trustworthy than the grammatical framework built on them.
14.3 From Batchelor to the modern standard
Nakagawa tracks the passage from the Hepburn tradition to the modern standard through one example set — aynu ‘person’, horkew ‘wolf’, cis ‘cry’, cis=an 'we cry' — respelled across the successive systems Nakagawa (2006: 3–5):
| System | 'person' | 'wolf' | 'cry' | 'we cry' |
|---|---|---|---|---|
| Hepburn style (Batchelor; Kindaichi; Kubodera) | ainu | horkeu | chish | chisan |
| Chiri Mashiho (1942) | ajnu | horkeŭ | čiš | čisan |
| Chiri Mashiho (1950s) | aynu | horkew | chis | chisan |
| Phonemic, dialect-dictionary style (Hattori–Tamura) | ʼaynu | horkew | cis | cisan |
| Phonemic, Akor Itak style (the modern standard) | aynu | horkew | cis | cis=an |
Each row resolves one layer of the Hepburn inheritance. Chiri Mashiho, who had used the
Hepburn style in the 1936 grammar co-authored with Kindaichi Kindaichi & Chiri (1936), moved
in 1942 to one-letter-per-phoneme spellings for the glides and the affricate
(j ŭ č), while still splitting /s/ between s and š by position; in his 1950s work he abandoned the diacritic letters —
Nakagawa attributes the retreat to printing costs — leaving ch as the
one remaining digraph Nakagawa (2006: 3–4); Nakagawa (2024: 55–56).
The phonemic system established in the 1950s by Hattori and Tamura, and disseminated through
the 1964 dialect dictionary Hattori (1964), completed the one-phoneme-one-letter
principle with c, wrote the glottal onset ʼ as a phoneme,
and wrote transitional glides (ʼuwepeker); the style codified in Akor Itak Hokkaidō Utari Kyōkai (1994) drops both and segments the person markers with = Nakagawa (2006: 4–5); Nakagawa (2024: 56–57). The
resulting standard, its remaining points of variation, and the boundary-marking conventions
are documented in Chapter 11 (The Latin Phonemic Transcription) and Chapter 15 (Orthographic Standardization and the Word-Division Problem); the parallel kana
tradition, which the same writers used alongside romanization, is treated in Chapter 12 (Katakana Orthography and the Extended Small-Kana Codas).
14.4 Reading Batchelor materials today
The working method for making a Batchelor-orthography text usable is the paired re-edition: the original spelling is reproduced intact and a modern respelling (表記変更) is printed beside it. Sakaguchi and Watanabe's edition of the Fireside Stories states the policy explicitly: capitalization of the original is retained; where the text's rV spelling leaves it undecidable whether a vowel is present, the vowel is bracketed rather than silently resolved (or(o)wano); and the respelled text marks morphophonemically fused sequences with an underscore (or_ ta, itak h_i), keeping the underlying words recoverable while recording the sandhi Sakaguchi & Watanabe (2019: 245–247). The same principles transfer to the New Testament and the dictionary citations.
Most of the distance between the two orthographies is mechanical. The segmental correspondences of the features table are exceptionless rewrite rules, and the echo vowels resolve against a lexicon of coda-final stems. A rule-plus-lexicon conversion of the 1897 New Testament, checked against respelling practice of the Sakaguchi–Watanabe type, resolves roughly seven-eighths of tokens; the residue is concentrated where conversion stops being orthographic — the segmentation and placement of person markers, which depend on morphological analysis of the clause rather than on spelling ‹corpus-confirmed›. Reading Batchelor therefore means re-doing the person-marking analysis that his orthography never encoded; the analysis itself is given in Chapter 69 (The Personal-Affix Template: Position Classes and Affix Ordering), and the citation conventions for examples drawn from pre-phonemic sources in Chapter 10 (Interlinear Glossing, Abbreviations, and Citation Conventions).
References cited in this chapter
Batchelor (1897) ·Batchelor (1905) ·Batchelor (1938) ·Chiri (1956) ·Chiri Yukie (1923) ·Hattori (1964) ·Hokkaidō Utari Kyōkai (1994) ·Kindaichi & Chiri (1936) ·Kirikae (1997) ·Laufer (1917) ·Majewicz (2022) ·Nakagawa (2006) ·Nakagawa (2024) ·Piłsudski (1912) ·Refsing (1986) ·Sakaguchi & Watanabe (2019) ·Simeon (1968)